Kíla’s music has been a huge part of my life for decades.
In January of 2015, I was preparing to travel to Costa Rica, and Nicaragua to take some time away from the damp of a British Colombian winter and undertake a bit of travel writing. I’d read online that Kíla had a new album ready to pop. I was desperate to have a copy of it to use as my soundtrack for my 14-day trek. Contacting the band via Twitter and, later, by email, I explained to them how important their music was in my life and that, a trip to a new continent needed to be accompanied by their new music.
Three days before I was set to fly away from Vancouver Island, a small parcel from Ireland showed up in the post: it was a CD copy of Suas Síos. I quickly ripped it to throw on my iPhone and sent them an emailed thank-you which I’m pretty sure wasn’t nearly eloquent enough to capture my gratitude.
The woman, who is now my partner in life, was working in Costa Rica as a dive master. We’ve been together for close to five years now, and married for almost three of those. I consider Suas Síos the album and, consequentially, Suas Síos the song, to be good luck charms, of sorts. I never leave the house for a pop down to the shop or an adventure like our upcoming trip to Morocco, without them.
I hear tell that Kíla’s got a new album on the way. Here’s hoping I can get my hands on it before we fly out in February.
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